– An examination of the function of relationship and community in the creation of Steve Reich’s Drumming, and an assessment of the benefits and challenges of collaborative approaches to creating music.
– An examination of the function of relationship and community in the creation of Steve Reich’s Drumming, and an assessment of the benefits and challenges of collaborative approaches to creating music.
– A presentation of rhythmic voice leading as a pedagogical application of beat-class analysis to identify transformations of rhythmic motives in Steve Reich’s Mallet Quartet.
– This project uses an algorithmic approach to explore the concept of resultant patterns as used by Steve Reich in Drumming. It seeks to analyze what it means for a resultant pattern to be interesting and to encode these intuitive musical characteristics into a computer algorithm.
– Commissioned as part of the Digital Phasing project by Louise Devenish, Jet Kye Chong’s Still Drumming 2020 exploits latency and geographical distance, offering a pandemic perspective on Reich’s signature techniques.
– The composer of Drumming discusses musical intuition, time feel, speech rhythms, electronics, the music of India, and how he uses rhythm in his compositions. He describes his early percussion training and his experience with the music of West Africa and Bali.
Gary Schall and Russell Hartenberger reflect on the life and legacy of James Preiss.
– A look at the origins of Piano Phase played on two marimbas, the end of phasing as a compositional tool, some of the techniques required to play Marimba Phase, and Garry Kvistad’s adaptation of the piece for just intonation-tuned instruments.
– In 2020, Steve Reich revised the “Notes by the Composer” for the Boosey & Hawkes score to Drumming, which was first published in 2011.
