– A presentation of rhythmic voice leading as a pedagogical application of beat-class analysis to identify transformations of rhythmic motives in Steve Reich’s Mallet Quartet.
– A presentation of rhythmic voice leading as a pedagogical application of beat-class analysis to identify transformations of rhythmic motives in Steve Reich’s Mallet Quartet.
– An examination of the challenges and rewards of playing the percussion music of Steve Reich using the themes of “Texture, Space, and Survival” as taken from a 1987 Reich essay of the same name.
– Commissioned as part of the Digital Phasing project by Louise Devenish, Jet Kye Chong’s Still Drumming 2020 exploits latency and geographical distance, offering a pandemic perspective on Reich’s signature techniques.
– An examination of the function of relationship and community in the creation of Steve Reich’s Drumming, and an assessment of the benefits and challenges of collaborative approaches to creating music.
describe their study to find out what really happens during a phase in Drumming. Members of Nexus demonstrate phasing and discuss their thoughts on the process.
Gary Schall and Russell Hartenberger reflect on the life and legacy of James Preiss.
– In 2020, Steve Reich revised the “Notes by the Composer” for the Boosey & Hawkes score to Drumming, which was first published in 2011.
– Steve Reich was inducted into the Percussive Arts Society Hall of Fame in 2007 joining some of the members of his ensemble and other esteemed composers of music for percussion. Lauren Vogel Weiss outlines Reich’s career in an article for Percussive Notes, the journal of the Percussive Arts Society.
